Tag: 드라마

That poem in ‘Because This Is My First Life’

There are a lot of reasons I loved Because This Is My First Life. Like, a lot.

One of them is Jiho’s penchant for making literary allusions and using extended metaphors to express her complicated thoughts and feelings. This was a nice bit of character development, I thought; even though Jiho doesn’t work as a writer for a good chunk of the show, that side of her still comes through to the viewer.

There are two main works which Jiho alludes to in the show. One of them is the poem <방문객> (“The Visitor”) by Korean poet 정현종. The poem appears in his 2009 anthology <섬> (Island).

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방문객

사람이 온다는 건
실은 어마어마한 일이다.
그는
그의 과거와 현재와
그리고
그의 미래와 함께 오기 때문이다.
한 사람의 일생이 오기 때문이다.
부서지기 쉬운
그래서 부서지기도 했을
마음이 오는 것이다―그 갈피를
아마 바람은 더듬어볼 수 있을
마음,
내 마음이 그런 바람을 흉내낸다면
필경 환대가 될 것이다.

The Visitor

The coming of a person
is, in fact, a tremendous feat.
Because he
comes with his past and present
and
with his future.
Because a person’s whole life comes with him.
Since it is so easily broken
the heart that comes along
would have been broken ― a heart
whose layers the wind will likely be able to trace,
if my heart could mimic that wind
it can become a hospitable place.

[I’m appending a million caveats onto this translation because I feel that translating poetry is sacrilegious unless you truly, truly understand the nuances of the language and the cultural/historical context of the poet — neither of which I can claim to be any kind of expert on… and yet here I am. I did read a few analyses of this poem; while my translation is a little graceless, I think it gets across the main point of poet. Take it with a grain of salt, use with caution, etc. etc.]

For what I know of the poet (Romanized as Chong Hyon-jong), his works reflect the challenges of connecting with oneself and others during this age of materialism, but mostly end on an uplifting note.

The titular poem, for example, poignantly captures this sentiment with just two lines:

사람들 사이에 섬이 있다.
그 섬에 가고 싶다.

Island

There are islands between people.
I want visit that island.

Because This Is My First Life isn’t only about marriage and love in the modern age (though it does do an amazing job at addressing that). Like these poems, I think the show as a whole tries to capture the profundity of human interaction. Knowing oneself isn’t easy. Knowing others is almost impossible. But despite this, the fact that humans are able to come together and communicate and coexist is a truly tremendous feat. Everyone comes with their own ‘baggage’ — their own past, their own present, their own future. It’s not something to downplay or ignore. To accept them as a person is to accept all of their weight; that, perhaps, is the best comfort that one human being can offer another.

All the feels for ‘Age of Youth’

Yay long weekend! I just finished a 6 hour binge of 청춘시대 (Age of Youth). The last 4 episodes were such a rollercoaster – I think I cried in every single one. Ha.

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Given that I generally don’t like “slice of life” type shows–and the fact that the last Korean drama I actually finished was 마을: 아치아라의 비밀 (The Village)–I’m kind of shocked at how much I enjoyed this one.

The plot is pretty simple: Five young women in their twenties share a house together. We follow their trials and tribulations as they each navigate through their lives, and grow to cherish each other (and themselves). Each character has her own inner demons (almost literally) to face and overcome.

This show isn’t flawless by any means. The idea isn’t original; the writing, frankly, isn’t superlative either. There were some odd genre-bending shenanigans going on, which made me wonder at certain points whether I was watching a makjang or a mystery thriller or a romcom? In retrospect, it’s probably because the nature of each character’s inner demon is so different that we got a bunch of varying, and sometimes disjointed, tones in one show. There were plot holes and a couple of instances of really cringe-worthy writing (I’m shaking my head at some of Jong-yeol’s red-flaggy “romantic” one-liners) , but. BUT.

The one major thing this show does well, it does oh so well.

It is A+ at evoking the viewer’s empathy. The characters each have their foibles–and not insignificant ones–but ultimately you’re cheering for them. In my mind, that trumps all of the smaller narrative flaws the show may have.

The importance of empathy is actually a running theme throughout the show, and each character realizes it at some point. This sort of surprised me because I think that’s not something that comes easily to twenty-somethings, especially when you’re trying to get your own two feet on the ground, but the show pulled it off well, without sounding maudlin.

One of my favorite parts of the show is this exchange between Eun-jae and Ji-won:

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The show’s true OTP <3

(source)

사람마다 죄다 사정이란 게 있다는 거야. 그 사정 알기 전까지는 이렇다 저렇다 말하면 안 된다는 거고.

Every person has their own situation they’re dealing with. That’s why until you know their situation you can’t tell them to live this way or that way.

It’s easier to empathize with someone if you know what their “situation” is, but even if you don’t, it’s important to try to understand them anyway. Such a great sentiment.

There are parts of this show that would’ve hit me really hard had it come out 3-4 years ago. It’s interesting watching this as someone who’s close in age to these characters, but also just past the stage that most of them are at, and reflecting if the show really captures the worries and joys of 청춘 (youth). I’d say it does.