Month: November 2013

Organizing new vocab

Part of the reason I’ve never liked formal language classes (or even textbooks, for that matter) is because I like learning new grammar and vocabulary in the context of original (native) reading material.  I can’t deal with “themed” chapters (e.g. “Chapter 2: Weather”) that force me to memorize relevant words from a word list. But my problem with reading original stuff is that I jump around between several different novels, webtoons, and news articles at a time.  A lot.  On top of that, because I make it a habit of jotting down words I don’t know, one page of my notebook can be a jumbled mess of words and definitions from five different sources.  This really really bothers me because I tend to learn words in clusters (e.g. learning the words ‘detective,’ ‘prosecutor,’ ‘murder’, ‘death penalty’ together because they’re often used in combination with each other).  So it throws me off when I’m looking over a page that’s half-filled with detective vocabulary that then switches to words about painting and geometry.  Then I don’t remember either …

Cécile Corbel & songs in foreign languages

Good music makes me so, so happy. I’ve been listening to a lot of “experimental” electronic, indie rock, and singer/songwriter type music these days.  When I listen to music in a language I can understand (English, Korean, and some Japanese), lyrics are often the most noticeable element of song for me and vocals tend to stand out against the backdrop of instrumentals.  But in other languages, vocals become mere morphemes without meaning, indistinguishable from the other layers of sound in a song.  A friend and I were discussing how sometimes we prefer to listen to songs in languages we don’t understand – for me, at least, it’s because it lets me interpret and feel the song in my own way without being hindered by semantics. Recently, this friend introduced me to a singer who, as she described it, has “the voice of a siren.” Cécile Corbel is a Breton singer and harpist who, in addition to having the most enchanting voice I’ve ever heard, also composed the score for the Studio Ghibli film 借りぐらしのアリエッティ (The Borrower Arrietty).  That’s …